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	<id>https://norme.iccu.sbn.it/w/index.php?action=history&amp;feed=atom&amp;title=Reicat%2FParte_II%2FCapitolo_12%2F12.3</id>
	<title>Reicat/Parte II/Capitolo 12/12.3 - Cronologia</title>
	<link rel="self" type="application/atom+xml" href="https://norme.iccu.sbn.it/w/index.php?action=history&amp;feed=atom&amp;title=Reicat%2FParte_II%2FCapitolo_12%2F12.3"/>
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	<updated>2026-04-04T15:15:03Z</updated>
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	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=13920&amp;oldid=prev</id>
		<title>EDITOR1 il 09:48, 11 dic 2023</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=13920&amp;oldid=prev"/>
		<updated>2023-12-11T09:48:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 09:48, 11 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l103&quot;&gt;Riga 103:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 103:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.coll.u.&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere.&amp;#039;&amp;#039;&amp;#039; Lettere]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.coll.u.&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere.&amp;#039;&amp;#039;&amp;#039; Lettere]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::Alcune poesie di Hölderlin / tradotte da Gianfranco Contini&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[REICAT: Alcune_poesie_di Hölderlin_(1987)|&lt;/ins&gt;Alcune poesie di Hölderlin / tradotte da Gianfranco Contini&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;. Poesia] (in italiano ; antologie)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;. Poesia] (in italiano ; antologie)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>EDITOR1</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=13627&amp;oldid=prev</id>
		<title>EDITOR1 il 11:22, 29 nov 2023</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=13627&amp;oldid=prev"/>
		<updated>2023-11-29T11:22:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 11:22, 29 nov 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot;&gt;Riga 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Bene mio e core mio&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Bene mio e core mio&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::I diari della grande guerra : Kobilek e La ritirata del Friuli, con i taccuini inediti / Ardengo Soffici&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[REICAT: Soffici_-_I_diari_della_guerra_(1986)|&lt;/ins&gt;I diari della grande guerra : Kobilek e La ritirata del Friuli, con i taccuini inediti / Ardengo Soffici&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Kobilek&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Kobilek&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;La ritirata del Friuli&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;La ritirata del Friuli&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>EDITOR1</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=8584&amp;oldid=prev</id>
		<title>Marco Sferruzza il 15:51, 20 feb 2019</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=8584&amp;oldid=prev"/>
		<updated>2019-02-20T15:51:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 15:51, 20 feb 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l44&quot;&gt;Riga 44:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 44:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The English mail coach&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The English mail coach&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::L’animale del tempo ; seguito da Lettera agli attori, Per Louis de Funès / Valère Novarina&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Reicat:Novarina_-_L&#039;animale_del_tempo_(2003)|&lt;/ins&gt;L’animale del tempo ; seguito da Lettera agli attori, Per Louis de Funès / Valère Novarina&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;L’animal du temps&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;L’animal du temps&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Lettre aux acteurs&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Lettre aux acteurs&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Marco Sferruzza</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=8578&amp;oldid=prev</id>
		<title>Marco Sferruzza il 14:14, 20 feb 2019</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=8578&amp;oldid=prev"/>
		<updated>2019-02-20T14:14:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 14:14, 20 feb 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l38&quot;&gt;Riga 38:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 38:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;altro t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Bacchae&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;altro t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Bacchae&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::Confessioni di un oppiomane ; Suspiria de profundis ; La diligenza inglese / Thomas De Quincey&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Reicat:De_Quincey_-_Confessioni_di_un_oppiomane_(1987)|&lt;/ins&gt;Confessioni di un oppiomane ; Suspiria de profundis ; La diligenza inglese / Thomas De Quincey&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(la prima delle tre opere è indicata sul frontespizio con maggiore risalto)&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(la prima delle tre opere è indicata sul frontespizio con maggiore risalto)&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Confessions of an English opium-eater&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Confessions of an English opium-eater&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Marco Sferruzza</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=4569&amp;oldid=prev</id>
		<title>Sannita: /* top */correzioni varie</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=4569&amp;oldid=prev"/>
		<updated>2017-06-10T18:49:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;top: &lt;/span&gt;correzioni varie&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 18:49, 10 giu 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot;&gt;Riga 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/ol&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/ol&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Si assegnano ulteriori titoli uniformi per le opere che corrispondono a un’intera unità fisica separata della pubblicazione, anche se le unità non sono descritte individualmente ([[Reicat/Parte I/Capitolo 5|cap. 5]]). È facoltativa l’assegnazione di titoli uniformi per le singole opere contenute, se sono più di tre, e per quelle con carattere aggiuntivo (p. es. in appendice) non menzionate nella fonte primaria.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Si assegnano ulteriori titoli uniformi per le opere che corrispondono a un’intera unità fisica separata della pubblicazione, anche se le unità non sono descritte individualmente ([[Reicat/Parte I/Capitolo 5|cap. 5]]). È facoltativa l’assegnazione di titoli uniformi per le singole opere contenute, se sono più di tre, e per quelle con carattere aggiuntivo (p.es. in appendice) non menzionate nella fonte primaria.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Per le raccolte pubblicate dallo stesso autore come un’opera particolare o comunemente note con il loro titolo tradizionale, che si considerano come un’opera singola, vedi il [[Reicat/Parte II/Capitolo 9/9.5/9.5.1#9.5.1 D|par. 9.5.1 D]]. Se non si utilizzano i titoli collettivi, per le raccolte dotate di un titolo d’insieme si adotta come titolo uniforme il titolo prevalente nelle edizioni della raccolta stessa, considerata come un’opera singola.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Per le raccolte pubblicate dallo stesso autore come un’opera particolare o comunemente note con il loro titolo tradizionale, che si considerano come un’opera singola, vedi il [[Reicat/Parte II/Capitolo 9/9.5/9.5.1#9.5.1 D|par. 9.5.1 D]]. Se non si utilizzano i titoli collettivi, per le raccolte dotate di un titolo d’insieme si adotta come titolo uniforme il titolo prevalente nelle edizioni della raccolta stessa, considerata come un’opera singola.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sannita</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=3329&amp;oldid=prev</id>
		<title>Sannita: creo pagina</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_12/12.3&amp;diff=3329&amp;oldid=prev"/>
		<updated>2016-09-21T11:39:54Z</updated>

		<summary type="html">&lt;p&gt;creo pagina&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nuova pagina&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Reicat&lt;br /&gt;
|Titolo = 12.3. Pubblicazioni che contengono più opere dello stesso autore&lt;br /&gt;
|Precedente = Reicat/Parte II/Capitolo 12/12.2&lt;br /&gt;
|NomePrecedente = 12.2. Pubblicazioni che contengono parti di un’opera&lt;br /&gt;
|Successivo = Reicat/Parte II/Capitolo 12/12.4&lt;br /&gt;
|NomeSuccessivo = 12.4. Raccolte di più opere con un titolo d’insieme&lt;br /&gt;
}}&lt;br /&gt;
Per le pubblicazioni che contengono più opere o brani di opere di uno stesso autore (anche in collaborazione con altri, o di due o tre autori in collaborazione tra loro), con o senza un titolo d’insieme:&lt;br /&gt;
&amp;lt;ol type=&amp;quot;a&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt; se le opere contenute sono due o tre si assegna un titolo uniforme appropriato per ciascuna opera;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt; se le opere contenute sono più di tre si assegna un titolo collettivo uniforme ([[Reicat/Parte II/Capitolo 9/9.5/9.5.1|par. 9.5.1]]) o, nel caso di due o tre coautori, un titolo collettivo uniforme per ciascuno.&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Si assegnano ulteriori titoli uniformi per le opere che corrispondono a un’intera unità fisica separata della pubblicazione, anche se le unità non sono descritte individualmente ([[Reicat/Parte I/Capitolo 5|cap. 5]]). È facoltativa l’assegnazione di titoli uniformi per le singole opere contenute, se sono più di tre, e per quelle con carattere aggiuntivo (p. es. in appendice) non menzionate nella fonte primaria.&lt;br /&gt;
&lt;br /&gt;
Per le raccolte pubblicate dallo stesso autore come un’opera particolare o comunemente note con il loro titolo tradizionale, che si considerano come un’opera singola, vedi il [[Reicat/Parte II/Capitolo 9/9.5/9.5.1#9.5.1 D|par. 9.5.1 D]]. Se non si utilizzano i titoli collettivi, per le raccolte dotate di un titolo d’insieme si adotta come titolo uniforme il titolo prevalente nelle edizioni della raccolta stessa, considerata come un’opera singola.&lt;br /&gt;
&lt;br /&gt;
:::Tre commedie / Eduardo De Filippo&lt;br /&gt;
:::&amp;#039;&amp;#039;(contiene &amp;#039;&amp;#039;Le bugie con le gambe lunghe&amp;#039;&amp;#039;, &amp;#039;&amp;#039;La grande magia&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Bene mio e core mio&amp;#039;&amp;#039;)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Le bugie con le gambe lunghe&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;La grande magia&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Bene mio e core mio&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
:::I diari della grande guerra : Kobilek e La ritirata del Friuli, con i taccuini inediti / Ardengo Soffici&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Kobilek&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;La ritirata del Friuli&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
:::Piano concerto in D minor, K. 466 ; Piano concerto in C minor, K. 491 / Wolfgang Amadeus Mozart&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Concerto, pianoforte, orchestra, n. 20, KV 466, re minore&amp;#039;&amp;#039;&amp;#039; (audioregistrazioni)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Concerto, pianoforte, orchestra, n. 24, KV 491, do minore&amp;#039;&amp;#039;&amp;#039; (audioregistrazioni)&lt;br /&gt;
&lt;br /&gt;
:::Alcesti ; Medea ; Baccanti / Euripide&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Alcestis&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;altro t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Alcestis&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Medea&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;altro t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Medea&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Bacchae&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;altro t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Bacchae&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
&lt;br /&gt;
:::Confessioni di un oppiomane ; Suspiria de profundis ; La diligenza inglese / Thomas De Quincey&lt;br /&gt;
:::&amp;#039;&amp;#039;(la prima delle tre opere è indicata sul frontespizio con maggiore risalto)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Confessions of an English opium-eater&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Suspiria de profundis&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The English mail coach&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
&lt;br /&gt;
:::L’animale del tempo ; seguito da Lettera agli attori, Per Louis de Funès / Valère Novarina&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;L’animal du temps&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Lettre aux acteurs&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Pour Louis de Funès&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
&lt;br /&gt;
:::Il mio paese e il mondo / Andrei Sakharov ; in appendice Progresso, coesistenza e libertà intellettuale&lt;br /&gt;
:::&amp;#039;&amp;#039;(la seconda opera, dello stesso autore, è indicata sul frontespizio come aggiuntiva)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;O strane i mire&amp;#039;&amp;#039;&amp;#039; = &amp;#039;&amp;#039;&amp;#039;О стране и мире&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Razmyšlenija o progresse, mirnom sosuščestvovanii i intellektual’noj svobode&amp;#039;&amp;#039;&amp;#039; = &amp;#039;&amp;#039;&amp;#039;Размышления о прогрессе, мирном сосуществовании и интеллектуальной свободе&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
&lt;br /&gt;
:::Live in Roma 2005 ; con il libro Biografia di una voce / Fiorella Mannoia&lt;br /&gt;
:::&amp;#039;&amp;#039;(pubblicazione costituita da una videoregistrazione su DVD e da un volume a stampa; i titoli uniformi si assegnano alle singole unità, se descritte individualmente)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Live in Roma 2005&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Biografia di una voce&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
:::Filippo ; Saul ; Sonetti / Vittorio Alfieri&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Filippo&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Saul&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Rime&amp;#039;&amp;#039;&amp;#039; (antologie)&lt;br /&gt;
&lt;br /&gt;
:::Il ritratto di Dorian Gray e Tutti i racconti / Oscar Wilde&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The picture of Dorian Gray&amp;#039;&amp;#039;&amp;#039;(in italiano)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.coll.u. con aggiunte&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;. Racconti] (in italiano)&lt;br /&gt;
&lt;br /&gt;
:::Il pozzo e il pendolo e altri racconti / Edgar Allan Poe&lt;br /&gt;
:::&amp;#039;&amp;#039;t.coll.u. con aggiunte&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;. Racconti] (in italiano)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.coll.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The pit and the pendulum&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
&lt;br /&gt;
:::La scoperta de l’America e altri sonetti / Cesare Pascarella&lt;br /&gt;
:::&amp;#039;&amp;#039;t.coll.u.&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;. Poesia]&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;La scoperta de l’America&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
:::Il teatro e il suo doppio ; con altri scritti teatrali e la tragedia I Cenci / Antonin Artaud&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Le théâtre et son double&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Les Cenci&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.coll.u. (facolt.) con aggiunte&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;] (in italiano)&lt;br /&gt;
&lt;br /&gt;
:::I quattro codici : civile e di procedura civile, penale e di procedura penale : con le disposizioni di attuazione e transitorie, la Costituzione della Repubblica italiana, vaste appendici di leggi usuali e ampio indice analitico-alfabetico&lt;br /&gt;
:::&amp;#039;&amp;#039;(la registrazione delle cinque opere indicate sul frontespizio – i quattro codici e la &amp;#039;&amp;#039;Costituzione&amp;#039;&amp;#039; – è facoltativa)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.coll.u.&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Codici&amp;#039;&amp;#039;&amp;#039;]&lt;br /&gt;
:::&amp;lt; I quattro codici&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. facoltativi per i singoli codici, la &amp;#039;&amp;#039;Costituzione&amp;#039;&amp;#039; e la raccolta di leggi&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
:::Il nuovo Codice penale e le leggi complementari / a cura di Luigi Alibrandi&lt;br /&gt;
:::&amp;#039;&amp;#039;(il titolo indica specificamente solo un’opera)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Codice penale&amp;#039;&amp;#039;&amp;#039; &amp;lt;1930&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:::Per conoscere Ungaretti : antologia delle opere&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;] (antologie)&lt;br /&gt;
&lt;br /&gt;
:::L’opera completa di Leonardo pittore&lt;br /&gt;
:::&amp;#039;&amp;#039;t.coll.u.&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;. Pittura]&lt;br /&gt;
&lt;br /&gt;
:::The complete symphonies / Brahms ; Berliner Philharmoniker ; Herbert von Karajan&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Sinfonie&amp;#039;&amp;#039;&amp;#039;] (audioregistrazioni)&lt;br /&gt;
&lt;br /&gt;
:::Lettere agli amici lucchesi / Giovanni Pascoli&lt;br /&gt;
:::&amp;#039;&amp;#039;t.coll.u.&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere.&amp;#039;&amp;#039;&amp;#039; Lettere]&lt;br /&gt;
&lt;br /&gt;
:::Alcune poesie di Hölderlin / tradotte da Gianfranco Contini&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;. Poesia] (in italiano ; antologie)&lt;br /&gt;
&lt;br /&gt;
:::L’arte della conversazione / Peter Burke&lt;br /&gt;
:::&amp;#039;&amp;#039;(traduzione parziale con aggiunta di due altri scritti dello stesso autore, di cui non si dà indicazione sul frontespizio)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The art of conversation&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
&lt;br /&gt;
:::Scritti sull’arte / Karl Marx, Friedrich Engels&lt;br /&gt;
:::&amp;#039;&amp;#039;(contiene brani di scritti del primo autore, del secondo autore e in collaborazione tra i due)&lt;br /&gt;
:::&amp;#039;&amp;#039;t.coll.u. con aggiunte&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;] (in italiano ; antologie) / Marx, Karl&lt;br /&gt;
:::&amp;#039;&amp;#039;t.coll.u. con aggiunte&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;] (in italiano ; antologie) / Engels, Friedrich&lt;br /&gt;
&lt;br /&gt;
:::Obras completas en colaboración / Jorge Luis Borges&lt;br /&gt;
:::&amp;#039;&amp;#039;(contiene opere in collaborazione con varie altre persone)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.coll.u.&amp;#039;&amp;#039; [&amp;#039;&amp;#039;&amp;#039;Opere&amp;#039;&amp;#039;&amp;#039;]&lt;/div&gt;</summary>
		<author><name>Sannita</name></author>
	</entry>
</feed>