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	<id>https://norme.iccu.sbn.it/w/index.php?action=history&amp;feed=atom&amp;title=Reicat%2FParte_II%2FCapitolo_11%2F11.13</id>
	<title>Reicat/Parte II/Capitolo 11/11.13 - Cronologia</title>
	<link rel="self" type="application/atom+xml" href="https://norme.iccu.sbn.it/w/index.php?action=history&amp;feed=atom&amp;title=Reicat%2FParte_II%2FCapitolo_11%2F11.13"/>
	<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;action=history"/>
	<updated>2026-04-07T12:06:23Z</updated>
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	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=15139&amp;oldid=prev</id>
		<title>EDITOR1 il 12:20, 29 dic 2023</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=15139&amp;oldid=prev"/>
		<updated>2023-12-29T12:20:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 12:20, 29 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l66&quot;&gt;Riga 66:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 66:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::The lord of the rings. The return of the king : original motion picture soundtrack / music composed, orchestrated and conducted by Howard Shore&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::The lord of the rings. The return of the king : original motion picture soundtrack / music composed, orchestrated and conducted by Howard Shore&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The lord of the rings&amp;#039;&amp;#039;&amp;#039;. The return of the king / Shore, Howard&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The lord of the rings&amp;#039;&amp;#039;&amp;#039;. The return of the king / Shore, Howard&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;lt; &amp;lt; The lord of the rings. The return of the king &amp;lt;film&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[REICAT: Il_signore_degli anelli._Il_ritorno_del_re_(DVD)_(2004)|&lt;/ins&gt;&amp;lt; &amp;lt; The lord of the rings. The return of the king &amp;lt;film&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::O brother, where art thou? : music from the motion picture&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::O brother, where art thou? : music from the motion picture&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l100&quot;&gt;Riga 100:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 100:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(documentario sul film di Peter Jackson)&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(documentario sul film di Peter Jackson)&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The lord of the rings.&amp;#039;&amp;#039;&amp;#039; The return of the king : beyond the movie&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The lord of the rings.&amp;#039;&amp;#039;&amp;#039; The return of the king : beyond the movie&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;lt; &amp;lt; The lord of the rings. The return of the king &amp;lt;film&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[REICAT: Il_signore_degli anelli._Il_ritorno_del_re_(DVD)_(2004)|&lt;/ins&gt;&amp;lt; &amp;lt; The lord of the rings. The return of the king &amp;lt;film&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::Fiorella Mannoia, Belle speranze&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::Fiorella Mannoia, Belle speranze&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>EDITOR1</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=14496&amp;oldid=prev</id>
		<title>EDITOR1 il 12:19, 21 dic 2023</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=14496&amp;oldid=prev"/>
		<updated>2023-12-21T12:19:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 12:19, 21 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l97&quot;&gt;Riga 97:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 97:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;lt; &amp;lt; The lord of the rings. The fellowship of the ring &amp;lt;film&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;lt; &amp;lt; The lord of the rings. The fellowship of the ring &amp;lt;film&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::Il signore degli anelli. Il ritorno del re : beyond the movie&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;::: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[REICAT: Il_signore_degli_anelli._Il_ritorno_del_re._Beyond_the_movie_(2003)|&lt;/ins&gt;Il signore degli anelli. Il ritorno del re : beyond the movie&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(documentario sul film di Peter Jackson)&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(documentario sul film di Peter Jackson)&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The lord of the rings.&amp;#039;&amp;#039;&amp;#039; The return of the king : beyond the movie&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The lord of the rings.&amp;#039;&amp;#039;&amp;#039; The return of the king : beyond the movie&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>EDITOR1</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=14420&amp;oldid=prev</id>
		<title>EDITOR1 il 10:31, 21 dic 2023</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=14420&amp;oldid=prev"/>
		<updated>2023-12-21T10:31:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 10:31, 21 dic 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l47&quot;&gt;Riga 47:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 47:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Libretti e altri testi per musica:&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Libretti e altri testi per musica:&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::Aida : opera in quattro atti / versi di Antonio Ghislanzoni ; musica di G. Verdi&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[REICAT: Ghislanzoni_-_Aida_(1875?)|&lt;/ins&gt;Aida : opera in quattro atti / versi di Antonio Ghislanzoni ; musica di G. Verdi&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(edizione del libretto)&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(edizione del libretto)&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Aida&amp;#039;&amp;#039;&amp;#039; / Ghislanzoni, Antonio&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Aida&amp;#039;&amp;#039;&amp;#039; / Ghislanzoni, Antonio&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>EDITOR1</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=13461&amp;oldid=prev</id>
		<title>EDITOR1 il 17:29, 22 nov 2023</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=13461&amp;oldid=prev"/>
		<updated>2023-11-22T17:29:46Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 17:29, 22 nov 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l75&quot;&gt;Riga 75:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 75:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Opere funzionali o complementari all’impiego di un’altra opera:&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Opere funzionali o complementari all’impiego di un’altra opera:&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::La lingua dei greci. Guida per l’insegnante / M. Raffaella Calabrese De Feo&#039;&#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[REICAT: Calabrese_De_Feo_-_La Lingua dei Greci._Guida_per_l&#039;insegnante_(2003)|&lt;/ins&gt;La lingua dei greci. Guida per l’insegnante / M. Raffaella Calabrese De Feo&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;La lingua dei greci&amp;#039;&amp;#039;&amp;#039;. Guida per l’insegnante&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;La lingua dei greci&amp;#039;&amp;#039;&amp;#039;. Guida per l’insegnante&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(guida pubblicata separatamente; per la forma del titolo uniforme vedi il [[Reicat/Parte II/Capitolo 9/9.1/9.1.4#9.1.4.3|par. 9.1.4.3]])&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(guida pubblicata separatamente; per la forma del titolo uniforme vedi il [[Reicat/Parte II/Capitolo 9/9.1/9.1.4#9.1.4.3|par. 9.1.4.3]])&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>EDITOR1</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=4566&amp;oldid=prev</id>
		<title>Sannita: /* top */correzioni varie</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=4566&amp;oldid=prev"/>
		<updated>2017-06-10T18:48:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;top: &lt;/span&gt;correzioni varie&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 18:48, 10 giu 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot;&gt;Riga 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|NomeSuccessivo =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|NomeSuccessivo =  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Si considerano opere distinte quelle funzionali alla realizzazione di un’opera di tipo differente, generalmente più elaborata, o comunque complementari o connesse &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ad &lt;/del&gt;essa. Sono comprese:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Si considerano opere distinte quelle funzionali alla realizzazione di un’opera di tipo differente, generalmente più elaborata, o comunque complementari o connesse &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/ins&gt;essa. Sono comprese:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ol type=&amp;quot;a&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ol type=&amp;quot;a&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt; opere funzionali alla realizzazione di un’altra opera di cui non costituiscono parte (p. es. i soggetti e le sceneggiature per la realizzazione di film o di opere analoghe e i bozzetti o progetti per la realizzazione di opere d’arte o d’architettura), di solito non destinate alla pubblicazione;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt; opere funzionali alla realizzazione di un’altra opera di cui non costituiscono parte (p.es. i soggetti e le sceneggiature per la realizzazione di film o di opere analoghe e i bozzetti o progetti per la realizzazione di opere d’arte o d’architettura), di solito non destinate alla pubblicazione;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt; opere che vanno a costituire una parte complementare, distinta e separabile, dell’opera a cui sono destinate (p. es. i libretti e altri testi per musica&amp;lt;ref&amp;gt;Se musica e testo sono dello stesso autore (o autori), però, si considerano componenti di un’unica opera ([[Reicat/Parte II/Capitolo 9/9.4/9.4.1#9.4.1 B|par. 9.4.1 B]]).&amp;lt;/ref&amp;gt; e le musiche per film o opere analoghe, dette colonne sonore), e vengono spesso pubblicate autonomamente;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt; opere che vanno a costituire una parte complementare, distinta e separabile, dell’opera a cui sono destinate (p.es. i libretti e altri testi per musica&amp;lt;ref&amp;gt;Se musica e testo sono dello stesso autore (o autori), però, si considerano componenti di un’unica opera ([[Reicat/Parte II/Capitolo 9/9.4/9.4.1#9.4.1 B|par. 9.4.1 B]]).&amp;lt;/ref&amp;gt; e le musiche per film o opere analoghe, dette colonne sonore), e vengono spesso pubblicate autonomamente;&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt; opere funzionali o complementari all’impiego di un’altra opera, di cui non costituiscono parte integrante (p. es. le guide per l’insegnante che affiancano un’opera scolastica, se non ne fanno parte);&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt; opere funzionali o complementari all’impiego di un’altra opera, di cui non costituiscono parte integrante (p.es. le guide per l’insegnante che affiancano un’opera scolastica, se non ne fanno parte);&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt; opere con carattere illustrativo, di documentazione o promozione, o d’altro genere, comunque connesse alla realizzazione di un’opera di tipo differente (p. es. materiali grafici, libri fotografici o filmati connessi a un’opera cinematografica o alla sua realizzazione o circolazione, programmi di sala o altri materiali connessi a uno spettacolo ma che non costituiscono una forma di pubblicazione dell’opera rappresentata, pubblicazioni testuali o musicali connesse a uno spettacolo audio o videoregistrato, avvisi o programmi relativi a pubblicazioni da realizzare o già realizzate, in sottoscrizione, etc.).&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;li&amp;gt; opere con carattere illustrativo, di documentazione o promozione, o d’altro genere, comunque connesse alla realizzazione di un’opera di tipo differente (p.es. materiali grafici, libri fotografici o filmati connessi a un’opera cinematografica o alla sua realizzazione o circolazione, programmi di sala o altri materiali connessi a uno spettacolo ma che non costituiscono una forma di pubblicazione dell’opera rappresentata, pubblicazioni testuali o musicali connesse a uno spettacolo audio o videoregistrato, avvisi o programmi relativi a pubblicazioni da realizzare o già realizzate, in sottoscrizione, etc.).&amp;lt;/li&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/ol&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/ol&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sannita</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=3323&amp;oldid=prev</id>
		<title>Sannita: creo pagina</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.13&amp;diff=3323&amp;oldid=prev"/>
		<updated>2016-09-21T11:36:45Z</updated>

		<summary type="html">&lt;p&gt;creo pagina&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nuova pagina&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Reicat&lt;br /&gt;
|Titolo = 11.13. Opere funzionali o connesse alla realizzazione o all’impiego di altre opere&lt;br /&gt;
|Precedente = Reicat/Parte II/Capitolo 11/11.12&lt;br /&gt;
|NomePrecedente = 11.12. Continuazioni, appendici e supplementi&lt;br /&gt;
|Successivo = &lt;br /&gt;
|NomeSuccessivo = &lt;br /&gt;
}}&lt;br /&gt;
Si considerano opere distinte quelle funzionali alla realizzazione di un’opera di tipo differente, generalmente più elaborata, o comunque complementari o connesse ad essa. Sono comprese:&lt;br /&gt;
&amp;lt;ol type=&amp;quot;a&amp;quot;&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt; opere funzionali alla realizzazione di un’altra opera di cui non costituiscono parte (p. es. i soggetti e le sceneggiature per la realizzazione di film o di opere analoghe e i bozzetti o progetti per la realizzazione di opere d’arte o d’architettura), di solito non destinate alla pubblicazione;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt; opere che vanno a costituire una parte complementare, distinta e separabile, dell’opera a cui sono destinate (p. es. i libretti e altri testi per musica&amp;lt;ref&amp;gt;Se musica e testo sono dello stesso autore (o autori), però, si considerano componenti di un’unica opera ([[Reicat/Parte II/Capitolo 9/9.4/9.4.1#9.4.1 B|par. 9.4.1 B]]).&amp;lt;/ref&amp;gt; e le musiche per film o opere analoghe, dette colonne sonore), e vengono spesso pubblicate autonomamente;&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt; opere funzionali o complementari all’impiego di un’altra opera, di cui non costituiscono parte integrante (p. es. le guide per l’insegnante che affiancano un’opera scolastica, se non ne fanno parte);&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;li&amp;gt; opere con carattere illustrativo, di documentazione o promozione, o d’altro genere, comunque connesse alla realizzazione di un’opera di tipo differente (p. es. materiali grafici, libri fotografici o filmati connessi a un’opera cinematografica o alla sua realizzazione o circolazione, programmi di sala o altri materiali connessi a uno spettacolo ma che non costituiscono una forma di pubblicazione dell’opera rappresentata, pubblicazioni testuali o musicali connesse a uno spettacolo audio o videoregistrato, avvisi o programmi relativi a pubblicazioni da realizzare o già realizzate, in sottoscrizione, etc.).&amp;lt;/li&amp;gt;&lt;br /&gt;
&amp;lt;/ol&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Soggetti e sceneggiature:&amp;#039;&amp;#039;&lt;br /&gt;
:::Il portaborse : soggetto originale del film / Franco Bernini, Angelo Pasquini&lt;br /&gt;
:::&amp;#039;&amp;#039;(soggetto dell’omonimo film del 1991 di Daniele Luchetti)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Il portaborse&amp;#039;&amp;#039;&amp;#039; / Bernini, Franco&lt;br /&gt;
:::&amp;lt; &amp;lt; Il portaborse / Petraglia, Sandro&lt;br /&gt;
:::&amp;lt; &amp;lt; Il portaborse &amp;lt;film&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:::Il portaborse : sceneggiatura / di Sandro Petraglia e Stefano Rulli ; con la collaborazione di Daniele Luchetti&lt;br /&gt;
:::&amp;#039;&amp;#039;(sceneggiatura dello stesso film)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Il portaborse&amp;#039;&amp;#039;&amp;#039; / Petraglia, Sandro&lt;br /&gt;
:::&amp;lt; &amp;lt; Il portaborse / Bernini, Franco&lt;br /&gt;
:::&amp;lt; &amp;lt; Il portaborse &amp;lt;film&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:::Il portaborse / Daniele Luchetti ; sceneggiatura di Sandro Petraglia, Stefano Rulli, con la collaborazione di Daniele Luchetti&lt;br /&gt;
:::&amp;#039;&amp;#039;(altra edizione della sceneggiatura, che presenta come prima indicazione di responsabilità il nome del regista del film)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Il portaborse&amp;#039;&amp;#039;&amp;#039; / Petraglia, Sandro&lt;br /&gt;
:::&amp;lt; &amp;lt; Il portaborse / Bernini, Franco&lt;br /&gt;
:::&amp;lt; &amp;lt; Il portaborse &amp;lt;film&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:::Ultimo tango a Parigi / Bernardo Bertolucci&lt;br /&gt;
:::&amp;#039;&amp;#039;(sul verso del frontespizio: &amp;#039;&amp;#039;Questo libro è la sceneggiatura del film omonimo. Soggetto di Bernardo Bertolucci. Sceneggiatura di Bernardo Bertolucci e Franco Arcalli&amp;#039;&amp;#039;)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Ultimo tango a Parigi&amp;#039;&amp;#039;&amp;#039; / Bertolucci, Bernardo&lt;br /&gt;
:::&amp;lt; &amp;lt; Ultimo tango a Parigi &amp;lt;film&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Progetti, bozzetti, etc.:&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
:::Picasso, Guernica&lt;br /&gt;
:::&amp;#039;&amp;#039;(pubblicazione in facsimile dei disegni preparatori del dipinto)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Guernica&amp;#039;&amp;#039;&amp;#039;. Disegni&lt;br /&gt;
:::&amp;lt; &amp;lt; Guernica&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Libretti e altri testi per musica:&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
:::Aida : opera in quattro atti / versi di Antonio Ghislanzoni ; musica di G. Verdi&lt;br /&gt;
:::&amp;#039;&amp;#039;(edizione del libretto)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Aida&amp;#039;&amp;#039;&amp;#039; / Ghislanzoni, Antonio&lt;br /&gt;
:::&amp;lt; &amp;lt; Aida / Verdi, Giuseppe&lt;br /&gt;
&lt;br /&gt;
:::Otello / Giuseppe Verdi ; dramma lirico in quattro atti di Arrigo Boito&lt;br /&gt;
:::&amp;#039;&amp;#039;(edizione del libretto)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Otello&amp;#039;&amp;#039;&amp;#039; / Boito, Arrigo&lt;br /&gt;
:::&amp;lt; &amp;lt; Otello / Verdi, Giuseppe&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Musiche per opere cinematografiche o televisive:&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
:::Pat Garrett &amp;amp; Billy the Kid : original soundtrack recording / Bob Dylan&lt;br /&gt;
:::&amp;#039;&amp;#039;(musica per il film omonimo)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Pat Garrett &amp;amp; Billy the Kid&amp;#039;&amp;#039;&amp;#039; / Dylan, Bob&lt;br /&gt;
:::&amp;lt; &amp;lt; Pat Garrett and Billy the Kid &amp;lt;film&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:::The lord of the rings. The return of the king : original motion picture soundtrack / music composed, orchestrated and conducted by Howard Shore&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The lord of the rings&amp;#039;&amp;#039;&amp;#039;. The return of the king / Shore, Howard&lt;br /&gt;
:::&amp;lt; &amp;lt; The lord of the rings. The return of the king &amp;lt;film&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:::O brother, where art thou? : music from the motion picture&lt;br /&gt;
:::&amp;#039;&amp;#039;(colonna sonora del film omonimo – in italiano &amp;#039;&amp;#039;Fratello dove sei?&amp;#039;&amp;#039; – composta di canzoni preesistenti di vari musicisti e gruppi)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;O brother, where art thou?&amp;#039;&amp;#039;&amp;#039; &amp;lt;colonna sonora&amp;gt;&lt;br /&gt;
:::&amp;lt; &amp;lt; O brother, where art thou? &amp;lt;film&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Opere funzionali o complementari all’impiego di un’altra opera:&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
:::La lingua dei greci. Guida per l’insegnante / M. Raffaella Calabrese De Feo&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;La lingua dei greci&amp;#039;&amp;#039;&amp;#039;. Guida per l’insegnante&lt;br /&gt;
:::&amp;#039;&amp;#039;(guida pubblicata separatamente; per la forma del titolo uniforme vedi il [[Reicat/Parte II/Capitolo 9/9.1/9.1.4#9.1.4.3|par. 9.1.4.3]])&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; La lingua dei greci / Raffaelli, Lucia M.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Opere illustrative, di documentazione, etc.:&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
:::Il signore degli anelli : cinealbum n. 1 / da J. R. R. Tolkien ; traduzione dall’inglese di Francesco Saba Sardi ; oltre 110 illustrazioni tratte dal film della Fantasy Film, produzione di Saul Zaentz, regia di Ralph Bakshi ; testo basato sulla sceneggiatura del film&lt;br /&gt;
:::&amp;#039;&amp;#039;(libro illustrato basato sul film del 1978)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The filmbook of J. R. R. Tolkien’s The lord of the rings&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
:::&amp;lt; &amp;lt; The lord of the rings &amp;lt;film ; 1978&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:::Il signore degli anelli : la guida ufficiale al film / Brian Sibley&lt;br /&gt;
:::&amp;#039;&amp;#039;(sul film di Peter Jackson)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The lord of the rings official movie guide&amp;#039;&amp;#039;&amp;#039; (in italiano)&lt;br /&gt;
:::&amp;lt; &amp;lt; The lord of the rings &amp;lt;film ; 2001-2003&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:::Il signore degli anelli. La compagnia dell’anello : guida fotografica al film&lt;br /&gt;
:::&amp;#039;&amp;#039;(sul primo dei tre film di Peter Jackson)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u. con aggiunte&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The lord of the rings&amp;#039;&amp;#039;&amp;#039;. The fellowship of the ring : photo guide (in italiano)&lt;br /&gt;
:::&amp;lt; &amp;lt; The lord of the rings. The fellowship of the ring &amp;lt;film&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:::Il signore degli anelli. Il ritorno del re : beyond the movie&lt;br /&gt;
:::&amp;#039;&amp;#039;(documentario sul film di Peter Jackson)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;The lord of the rings.&amp;#039;&amp;#039;&amp;#039; The return of the king : beyond the movie&lt;br /&gt;
:::&amp;lt; &amp;lt; The lord of the rings. The return of the king &amp;lt;film&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:::Fiorella Mannoia, Belle speranze&lt;br /&gt;
:::&amp;#039;&amp;#039;(pubblicazione musicale a stampa che contiene le canzoni, di vari autori, del disco &amp;#039;&amp;#039;Belle speranze&amp;#039;&amp;#039; di Fiorella Mannoia)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Belle speranze&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; Belle speranze / Mannoia, Fiorella&lt;br /&gt;
&lt;br /&gt;
{{Note}}&lt;/div&gt;</summary>
		<author><name>Sannita</name></author>
	</entry>
</feed>