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	<id>https://norme.iccu.sbn.it/w/index.php?action=history&amp;feed=atom&amp;title=Reicat%2FParte_II%2FCapitolo_11%2F11.12</id>
	<title>Reicat/Parte II/Capitolo 11/11.12 - Cronologia</title>
	<link rel="self" type="application/atom+xml" href="https://norme.iccu.sbn.it/w/index.php?action=history&amp;feed=atom&amp;title=Reicat%2FParte_II%2FCapitolo_11%2F11.12"/>
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	<updated>2026-04-07T14:52:17Z</updated>
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	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.12&amp;diff=7966&amp;oldid=prev</id>
		<title>Marco Sferruzza il 11:03, 11 dic 2018</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.12&amp;diff=7966&amp;oldid=prev"/>
		<updated>2018-12-11T11:03:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 11:03, 11 dic 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l59&quot;&gt;Riga 59:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 59:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;lt; &amp;lt; The exorcist &amp;lt;film&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;lt; &amp;lt; The exorcist &amp;lt;film&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::Bibliografia nazionale italiana. Musica a stampa. Recupero pre 1995&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Reicat:Bibliografia_nazionale_italiana._Musica_a_stampa._Recupero_pre_1995_(1997)|&lt;/ins&gt;Bibliografia nazionale italiana. Musica a stampa. Recupero pre 1995&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(volume retrospettivo che integra la bibliografia corrente delle pubblicazioni musicali, edita all’interno della serie &amp;#039;&amp;#039;Monografie&amp;#039;&amp;#039;)&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;(volume retrospettivo che integra la bibliografia corrente delle pubblicazioni musicali, edita all’interno della serie &amp;#039;&amp;#039;Monografie&amp;#039;&amp;#039;)&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Bibliografia nazionale italiana&amp;#039;&amp;#039;&amp;#039;. Musica a stampa. Recupero pre 1995&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Bibliografia nazionale italiana&amp;#039;&amp;#039;&amp;#039;. Musica a stampa. Recupero pre 1995&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;lt; &amp;lt; Bibliografia nazionale italiana. Musica a stampa&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::&amp;lt; &amp;lt; Bibliografia nazionale italiana. Musica a stampa&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Marco Sferruzza</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.12&amp;diff=4565&amp;oldid=prev</id>
		<title>Sannita: /* top */correzioni varie</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.12&amp;diff=4565&amp;oldid=prev"/>
		<updated>2017-06-10T18:48:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;top: &lt;/span&gt;correzioni varie&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;it&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Versione meno recente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Versione delle 18:48, 10 giu 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot;&gt;Riga 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Riga 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|NomeSuccessivo = 11.13. Opere funzionali o connesse alla realizzazione o all’impiego di altre opere&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|NomeSuccessivo = 11.13. Opere funzionali o connesse alla realizzazione o all’impiego di altre opere&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Si considerano opere nuove e distinte da opere preesistenti quelle che le proseguono o si aggiungono &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ad &lt;/del&gt;esse (continuazioni, appendici, supplementi, seguiti o &#039;&#039;sequel&#039;&#039;, etc.) e sono identificate da un proprio titolo. Sono comprese le opere che si aggiungono retrospettivamente o a ritroso, per periodi o vicende precedenti, a un’opera preesistente (p. es. i cosiddetti &#039;&#039;prequel&#039;&#039;).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Si considerano opere nuove e distinte da opere preesistenti quelle che le proseguono o si aggiungono &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/ins&gt;esse (continuazioni, appendici, supplementi, seguiti o &#039;&#039;sequel&#039;&#039;, etc.) e sono identificate da un proprio titolo. Sono comprese le opere che si aggiungono retrospettivamente o a ritroso, per periodi o vicende precedenti, a un’opera preesistente (p.es. i cosiddetti &#039;&#039;prequel&#039;&#039;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Per le opere che aggiornano opere preesistenti, includendone i contenuti pertinenti invece di aggiungersi &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ad &lt;/del&gt;esse, vedi il [[Reicat/Parte II/Capitolo 10/10.3|par. 10.3]]; per le continuazioni o appendici non identificate da un proprio titolo, che si trattano come parti dell’opera a cui si aggiungono, vedi il [[Reicat/Parte II/Capitolo 9/9.1/9.1.4#9.1.4.3|par. 9.1.4.3]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Per le opere che aggiornano opere preesistenti, includendone i contenuti pertinenti invece di aggiungersi &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a &lt;/ins&gt;esse, vedi il [[Reicat/Parte II/Capitolo 10/10.3|par. 10.3]]; per le continuazioni o appendici non identificate da un proprio titolo, che si trattano come parti dell’opera a cui si aggiungono, vedi il [[Reicat/Parte II/Capitolo 9/9.1/9.1.4#9.1.4.3|par. 9.1.4.3]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::Supplement to Hain’s Repertorium bibliographicum, or Collections towards a new edition of that work ... / by W. A. Copinger&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:::Supplement to Hain’s Repertorium bibliographicum, or Collections towards a new edition of that work ... / by W. A. Copinger&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sannita</name></author>
	</entry>
	<entry>
		<id>https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.12&amp;diff=3322&amp;oldid=prev</id>
		<title>Sannita: creo pagina</title>
		<link rel="alternate" type="text/html" href="https://norme.iccu.sbn.it/w/index.php?title=Reicat/Parte_II/Capitolo_11/11.12&amp;diff=3322&amp;oldid=prev"/>
		<updated>2016-09-21T11:36:23Z</updated>

		<summary type="html">&lt;p&gt;creo pagina&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nuova pagina&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Reicat&lt;br /&gt;
|Titolo = 11.12. Continuazioni, appendici e supplementi&lt;br /&gt;
|Precedente = Reicat/Parte II/Capitolo 11/11.11&lt;br /&gt;
|NomePrecedente = 11.11. Trasposizioni in una diversa forma d’arte o d’espressione&lt;br /&gt;
|Successivo = Reicat/Parte II/Capitolo 11/11.13&lt;br /&gt;
|NomeSuccessivo = 11.13. Opere funzionali o connesse alla realizzazione o all’impiego di altre opere&lt;br /&gt;
}}&lt;br /&gt;
Si considerano opere nuove e distinte da opere preesistenti quelle che le proseguono o si aggiungono ad esse (continuazioni, appendici, supplementi, seguiti o &amp;#039;&amp;#039;sequel&amp;#039;&amp;#039;, etc.) e sono identificate da un proprio titolo. Sono comprese le opere che si aggiungono retrospettivamente o a ritroso, per periodi o vicende precedenti, a un’opera preesistente (p. es. i cosiddetti &amp;#039;&amp;#039;prequel&amp;#039;&amp;#039;).&lt;br /&gt;
&lt;br /&gt;
Per le opere che aggiornano opere preesistenti, includendone i contenuti pertinenti invece di aggiungersi ad esse, vedi il [[Reicat/Parte II/Capitolo 10/10.3|par. 10.3]]; per le continuazioni o appendici non identificate da un proprio titolo, che si trattano come parti dell’opera a cui si aggiungono, vedi il [[Reicat/Parte II/Capitolo 9/9.1/9.1.4#9.1.4.3|par. 9.1.4.3]].&lt;br /&gt;
&lt;br /&gt;
:::Supplement to Hain’s Repertorium bibliographicum, or Collections towards a new edition of that work ... / by W. A. Copinger&lt;br /&gt;
:::&amp;#039;&amp;#039;(supplemento identificato da un proprio titolo)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Supplement to Hain’s Repertorium bibliographicum, or Collections towards a new edition of that work&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; Repertorium bibliographicum&lt;br /&gt;
&lt;br /&gt;
:::Lo schema corporeo in psicomotricità : supplemento a Appunti di psicomotricità / Ciro Pisaturo&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Lo schema corporeo in psicomotricità&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; Appunti di psicomotricità&lt;br /&gt;
&lt;br /&gt;
:::Formamente : la rivista del lifelong learning&lt;br /&gt;
:::&amp;#039;&amp;#039;(supplemento al periodico &amp;#039;&amp;#039;FOP&amp;#039;&amp;#039; del Ministero del lavoro e delle politiche sociali)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Formamente&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; FOP&lt;br /&gt;
&lt;br /&gt;
:::Pericoloso a sé e agli altri : violenza, suicidio e disturbi mentali / a cura di Mario Di Fiorino&lt;br /&gt;
:::&amp;#039;&amp;#039;(monografia pubblicata come supplemento al periodico &amp;#039;&amp;#039;Psichiatria e territorio&amp;#039;&amp;#039;)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Pericoloso a sé e agli altri&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; Psichiatria e territorio&lt;br /&gt;
&lt;br /&gt;
:::Journal of librarianship and information science. – Vol. 23, n. 1 (Mar. 1991)-&lt;br /&gt;
:::&amp;#039;&amp;#039;(continuazione del &amp;#039;&amp;#039;Journal of librarianship&amp;#039;&amp;#039;, pubblicato dal 1969 al 1990)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Journal of librarianship and information science&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; Journal of librarianship&lt;br /&gt;
&lt;br /&gt;
:::Journal of commodity science = Rivista di merceologia. – Vol. 36, issue 3 (July-Sept. 1997)-&lt;br /&gt;
:::&amp;#039;&amp;#039;(continuazione di &amp;#039;&amp;#039;Rivista di merceologia&amp;#039;&amp;#039;, pubblicata dal 1978 a giugno 1997, a sua volta continuazione di &amp;#039;&amp;#039;Quaderni di merceologia&amp;#039;&amp;#039;, pubblicati dal 1962 al 1977, sempre con numerazione progressiva dei volumi)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Journal of commodity science&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; Rivista di merceologia&lt;br /&gt;
&lt;br /&gt;
:::Libri del tempo Laterza&lt;br /&gt;
:::&amp;#039;&amp;#039;(collezione che continua la collezione precedente &amp;#039;&amp;#039;Libri del tempo&amp;#039;&amp;#039;, proseguendone la numerazione)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Libri del tempo Laterza&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; Libri del tempo&lt;br /&gt;
&lt;br /&gt;
:::Il ritorno del signore dei tranelli : romanzo / Collettivo autonomo rumente&lt;br /&gt;
:::&amp;#039;&amp;#039;(seguito, dovuto ad autori diversi, della parodia del romanzo di Tolkien)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Il ritorno del signore dei tranelli&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; Bored of the rings&lt;br /&gt;
&lt;br /&gt;
:::Mi presenti i tuoi? / [con] Robert De Niro, Ben Stiller, Dustin Hoffman, Barbra Streisand ; [directed by Jay Roach]&lt;br /&gt;
:::&amp;#039;&amp;#039;(seguito, uscito nel 2004, del film &amp;#039;&amp;#039;Ti presento i miei?&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Meet the parents&amp;#039;&amp;#039;) del 2000)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Meet the Fockers&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; Meet the parents&lt;br /&gt;
&lt;br /&gt;
:::Dominion : prequel to The exorcist / a Paul Schrader film&lt;br /&gt;
:::&amp;#039;&amp;#039;(film del 2005, che si ricollega al film &amp;#039;&amp;#039;The exorcist&amp;#039;&amp;#039; del 1973)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Dominion&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;lt; &amp;lt; The exorcist &amp;lt;film&amp;gt;&lt;br /&gt;
&lt;br /&gt;
:::Bibliografia nazionale italiana. Musica a stampa. Recupero pre 1995&lt;br /&gt;
:::&amp;#039;&amp;#039;(volume retrospettivo che integra la bibliografia corrente delle pubblicazioni musicali, edita all’interno della serie &amp;#039;&amp;#039;Monografie&amp;#039;&amp;#039;)&amp;#039;&amp;#039;&lt;br /&gt;
:::&amp;#039;&amp;#039;t.u.&amp;#039;&amp;#039; &amp;#039;&amp;#039;&amp;#039;Bibliografia nazionale italiana&amp;#039;&amp;#039;&amp;#039;. Musica a stampa. Recupero pre 1995&lt;br /&gt;
:::&amp;lt; &amp;lt; Bibliografia nazionale italiana. Musica a stampa&lt;/div&gt;</summary>
		<author><name>Sannita</name></author>
	</entry>
</feed>